I spent the first weekend of the month running a Photobook workshop in Casablanca, Morocco funded by Coventry University’s DMLL and with a great group of students. Some of these participants were photographers, some had studied at art schools, some were passionate amateurs but all were super engaged and I learned a lot…
Images by Daniel Donnelly
The desire to make is great
– while there is some critique of a maker culture which undervalues curation and debate in favour of production, it was clear that the transition from screen to paper and images into book brought about genuine excitement.
Sometimes sharing is separating
– Daniel Donnelly (with whom I ran the workshop) and I were keen to involve an online and social element to the project – to tweet particular moments, Facebook particular questions etc – a way to engage with communities beyond the room. It was apparent though that this took away from the intense experience of the session, removed participants and their attention – it was instead used as refference and record for the ‘real life’ experience. We didn’t push it, and I now notice how these spaces have become a great repository – extending the project longitudinally.
Competition isn’t healthy
– competition pushes us, it is a useful element of the learning process – I call bullshit – it was so refreshing to see people truly pleased for one another and their works. I want to find out how to inject some of this into an education system that constantly seeks to place people in competition – either by age, institution, or through high fees and low employment options.
These were exciting books
– it is hard to say without appearing patronising, getting giddy over the exotic or promoting the location-based photobook mining we have seen over the last ten years BUT these were exciting books. Techniques and structures were used without knowledge of their reference to previous works – they were used as they were appropriate. Images were treated as possibilities in the book and the book was treated as a possibility for the images.
These folks would love some books
– it isn’t easy to come by photobooks in Casablanca, in fact it is almost impossible, yet their is a community hungry to see new works and old. I have been sending books to Morocco for some time, and will continue to do so, but maybe think about the next time you send out X% of your edition to reviewers and collectors – send some to a library, community or school – it will likely be far more useful.
To celebrate Photobook Day here in Coventry we will be hosted by the newly opened ‘Big Comfy Bookshop‘ at Fargo Village which ticks all sorts of boxes for a great meeting place – beer, coffee, cakes, books and sofas!
A suggestion from Lucy Bartlett will see members bringing books from as many different countries as possible and at the same time we will be having the homecoming of the ‘Box of Books’ which has just returned from it’s around-the-world journey.
Now it’s just after harvest time, my favorite time of year. The fields are almost cleared and I’m barefoot on my porch with a beer in my hand. I can see for miles.
For over a year now I have been working with Nathan to bring this fantastic project into corporeal existence and with the aid of Akina Factory who who created the book concept and design, the result is beautiful.
One of the toughest elements of editing this work is something Nathan has pointed out in a recent interview with Darwin Magazine – how the projects needed to move away from cliched depictions of the rural midwest but at the same time not disown culture and environment. While the geographical location rooted in the midwest, this project for me has always been about home, about home as a constant for good and bad. For this reason I hope it appeals to many.
Great to hear of the success of the first Photobook Club Hong Kong meeting as well as details of the next meeting (via Sarah Van Ingelgom) …
Photo Book Club Meeting
Saturday 10th of May 2014 | 4 pm
at the AO the Photo Book Center
Asia One Tower, 8 Fung Yip Street
Theme: the Japanese Photo Book
Moderator: Mark Pearson (from Zen Foto Gallery, Tokyo)
After the success of the first one, we are glad to announce our second Photo Book Club Meeting.
PBC was initiated in the UK as an initiative for informal gathering for photo book lovers to share their enthusiasm. Each meeting, guests are invited to bring their own favorite photo book or borrow one from the bookshop (please come a bit earlier if you wish to do so). Each guests will introduce the reasoning for their choice which typically unfolds into lively discussions. This is not a course or a workshop, nobody is wrong or right. PBC meetings aim to learn from each other and explore in a friendly interactive way. Photographers and photo book fanatics are very welcome but its not a must… just your enthusiasm is already appreciated a lot. Moreover, the meetings are FREE of charge.
For the first gathering we will choose ‘the Japanese photo book’ as a theme. The Japanese Photo Book is a unique genre on its own with a style of photographing unseen and very different than how it was done in the West until then. Leaders in the field were Araki and Daido Moriyama but there are also a lot of other famous and more obscure talents to be discovered.
Some news to soften the blow of Sunday’s crushing loss in big D:
‘Oil and Cotton‘, a artist’s exchange and learning hub in Dallas, will host a Photobook Club event next week organized by Rachel Rushing.
I mentioned briefly when it was launched that I have been working with a talented Midwest photographer Nathan Pearce to bring his story and vision of the Midwest to more people in the form of a beautiful photobook.
It was not lightly that I took on this project and there have been a number before and since that have simply not been a good fit but I am very interested to hear from anyone who may be interested in working alongside me on book projects or photography or any other medium provided it provokes memory or emotion.
News from Juan Cires of the Photobook Club Madrid that they will be holding a meeting on July 23rd inviting artists to present their photobook dummies – and if you cant make it, you can send via post – think I will get onto this myself! More…
Hi from the Photobook Club Madrid. We are organizing a new activity called Cosecha 2013 (Harvest 2013) with the Ivorypress bookstore. We will have a meeting of photobook artists on July 23rd to show bookdummies created this year. We will also have an exhibition at Ivorypress in September of the participating dummies. The event is open.
Ideally, the dummies should be presented in person by the author, but if anyone wants to participate but can’t make it to Madrid on July 23rd, it is possible to submit book dummies by post. Please e-mail email@example.com for instructions.
For a while now I have been working with photographer Nathan Pearce to edit his ‘Midwest Dirt‘ project into what will be a photobook towards the Autumn of this year. Nathan is seeking a modest amount of funding to realise the work as a physical artifact in exchange for some awesome Midwest rewards and I would love anyone interested to check out the project in more detail below.
I will have more on the work, and the process soon but for now, enjoy having a look
When I was 18 years old I packed my bags and left rural Illinois. It had been my home my entire life, but I thought in leaving I would find the perfect place for myself elsewhere. In the city everything and everyone I knew was very different from what I knew back home and yet at the same time familiar. The wild and restless days of my youth were in full swing. But when I awoke those mornings I still expected to see my old midwestern life.
Where I was living wasn’t exactly the wrong place for me, and at its core my life wasn’t drastically different, but it wasn’t home. I came back home to live almost a decade later. I still have no idea if this time I will stay for good, I don’t know if that will ever happen. The wild restless days and nights haven’t ceased.
Some nights when I lay down in my bed and close my eyes I fantasize that I didn’t ever return. I dream that I could get right back up and go over to my corner bar in the city and have a drink looking out on the crowded street.
But I’m not there. I’m here. In the country.
Now it’s just after harvest time, my favorite time of year. The fields are almost cleared and I’m barefoot on my porch with a beer in my hands. I can see for miles.
This project is about a time in my mid twenties when I can feel the tension between home and away.
The Photobook Club Kuala Lumpur is to launch on the 1st of June before it enters into a series of events including the Obscura Photography Festival from 21st – 30th June in Penang before touring around Malaysia.
In part this is a genuine frustration but I should also say that I have spent my limited book budget for the year in just the first three months and so perhaps a good deal of my frustration is aimed at my own lack of self restraint.
Rinko Kawauchi teamed up with Ivan Vartanian/Goliga recently to realise her latest work ‘Approaching Whiteness‘. The result is a beautiful scroll with a set of images on it, there are 9 scrolls with different themes or images, each also has a silk-screened pattern in luminescent ink and calligraphy with sumi ink. Sounds great eh! Those amongst us who occasionally fetishize the photobook must be in heaven, but unfortunately this excessive beautifying may have gotten in the way of something much more valid for the photobook (at least for most of us) in the expansion of the reading experience.
From the Goliga site and video: “The sequence of frames flow from right to left and connote the passage of time as an uninterrupted sequence. This idea extends to a larger philosophy that all things are connected.”
Of course the scroll is not a new invention and so perhaps it is over the top to call it a triumph in communication, but here is a photographer and publisher thinking beyond the bound book to the most suitable means of communicating a horizon to the viewer. I only wish the damn thing wasn’t £200+ pound for each version; surely a sign that this is being produced solely for the collector. There’s nowt wrong with collectors editions and making work specifically for them, hell I imagine that without the collectors money many projects would never be realised, much less break even. But what’s the alternative for the vast majority of us? Can we not enjoy this work as it is intended to be read, minus the rare wood, gold butterfly wings and price tag?
John Baldessari once said that every artist should have a “cheap line”. I imagine in 6 months time I shall be proved wrong about Approcahing Whiteness and Vartanian might bring out a non boxed scroll set or something similar for the masses but in the meantime I wish Baldessari was taken into account for this is a mainstream artist asking questions of the book that few others have dared to.