From Doug Spowart and Victoria Cooper of the Photobook Club Brisbane…
A recording of the online discussion of The Photobook Club, held by Widephoto on Wednesday 17th May 2017.
Great to be able to share this… on Wednesday 17th May at 7-9 Barcelona time (UTC+1), 9 Photobook Clubs from around the world will take part in a streamed event as part of the Widephoto, CCCB and Foto Colectania organised discussions on the Photobook Phenomenon. For all the information and streaming details check out the links below…
Clubs taking part…
Photobook Club Barcelona
Photobook Club Jakarta
Photobook Club Madeira
Photobook Club Madrid
Photobook Club Montevideo
Photobook Club San Sebastian
Photobook Club Bristol
I have, since the first Photobook Club event, thought about how a short publication with the key principles of the project and voices from different communities around the world would be helpful. Not a guide as such but something solid, the product of the many communities which could serve as record of what we have, and continue to do, and how we go about it.
It’s still not here, but is approaching at least. I would love to include as many voices as possible in this (small)(lowfi) publication and so am asking for people to get in touch with some of the following…
- General thoughts on what you would like/expect this publication to be/do
- Short reflections on your time running or organising a Photobook Club
- Images of events – particularly the more informal images
- Particularly lively events you have been to, or conversations you remember
- Practical advice on what has, and has not, worked for you
The publication will be in a single, multi-lingual edition so will also be looking for some help with translation. It’ll be run off on my local laserjet and ‘designed’ by me in order to keep things in the spirit of the PBC — a little disorganised and rarely polished but vibrant, critical and purposeful. This said, if anyone has particular thoughts about design and production please get in touch.
The publication will of course be free.
Moving on a few books as have less collectible versions, available at local library or just not so into them anymore. Email for more details or photos.
All prices + postage.
Larry Sultan – The Valley
Some minor dust cover marks, otherwise very good (£60)
Alec Soth – Looking for Love, 1996
Pristine (£85) SOLD
Carlos Spottorno – The PIGS
Still in sleeve, got another signed so selling this (£35)
Christian Patterson – Redheaded Peckerwood
Signed 2nd Edition, as new (£90)
Watabe Yukichi – A Criminal Investigation
1st Edition, pristine still in shrink wrap (£130)
A great representation of the Photobook Club as connected and autonomous…
A huge thanks to all 178 people who took part in the photobook survey I have conducted over the last few months some fantastic responses have come through and a number of interesting trends are presenting themselves. I will look to publish some results in the future but for now my gratitude for so many spending considerable time giving thoughtful answers to questions around photobook readership.
Further research with particular individuals is developing some of the difficult-to-answer questions about our reading of books new to us and those we are already familiar with. Already a number of interview sheets with non-linear response diagrams have been sent out – if you would like to be involved in this also pop me an email.
Great to hear rumblings of Photobook Clubs in Ecuador and Seoul with more details coming int he next few weeks. In the meantime, if you are local (Guayaquil in Ecuador) then please pop me an email so I can forward on your details to the organisers.
In other news, it has been about 4 months since the launch of the 2 surveys of photobook readership I put out with the intention to build a picture of the ways in which we interact with (buy, read and speak about) photobooks. If you have taken part, a huge thanks. If you have not yet I hope I can ask you to spend some time filling out the anonymous survey which is already producing some fascinating insights. Below are three links, the first to anyone who reads photobooks, the second only to those who have attended a Photobook Club event, and the third in Spanish for those who have attended a Photobook Club.
Anyone who reads photobooks… http://bit.ly/2fCDtXe
Photobook Club attendees… http://bit.ly/2duhgKH
Spanish Photobook attendees… http://bit.ly/2fjA5zW
Thanks, love and here’s to the photobooks of 2017 bringing action and togetherness
The SOURCE photobook edition has been out for a wee while now and the full online archive of ‘great’ photobook selections is available to all for free so a little late sharing this but do check it out. For one, it is a valuable insight into the photobook and the way in which we think about it. Two, it shows who the ‘characters’ of the photobook are. Three, the Photobook Club is in there (and shown below)[and din’t quite follow the ‘greatest’ request]…
While there is definite merit in list forming as a means of introduction and suggestions, it is something I am a little uncomfortable with. The Photobook Club was set up in part as a pragmatic response to canonisation without qualification and seeks to enable open and non-hierarchical discussion. So with this in mind I have asked a number of Photobook Club organisers from around the world to suggest the photobook(s) that their community has had the liveliest discussion around. These choices come from Photobook Clubs in Barcelona, Buenos Aires, Coventry, Madrid, Monterrey, Montevideo and Tokyo.
- Julián Barón, Dossier Humint, 2013.
- Martin Bollati, La forma Bruta, 2016.
- Will Steacy, Deadline, 2016.
- Musuk Nolte, La Primera Piedra, 2013.
- Xavier Miserachs and Horacio Fernández, Miserachs Barcelona, 2016.
- Txema Salvans, The Waiting Game, 2014.
- Nozomi Iijima, Scoffing Pig, 2013.
- Rodrigo Ramos, Ex Corde, 2015.
- Paul Gaffney, We Make the Path by Walking, 2013.
- Vasantha Yogananthan, Early Times, 2016.
As part of my current research I am looking to explore ‘readership’ and the photobook — how we find, buy, read and speak about the photobook. For me, this is important if we are to better understand the form and how it operates and not only speak about its popularity.
The most significant part of this process is hearing from as many photobook readers as possible and so I have created a survey for anyone who has ever attended even one single Photobook Club event which can be found here – http://bit.ly/2duhgKH (organisers can also fill this out please!). And, thanks to the kindness of Juan Cires, there is a Spanish version also – http://bit.ly/2fjA5zW. I would be very grateful for anyone who has attended a meeting to fill this out, a process I hope you might also find interesting.
In addition, there is an ‘open’ version of this survey for anyone who has ever picked up a photobook — not just those who have attended Photobook Club meetings. That link can be found here – http://bit.ly/2fCDtXe.
I would be so thankful for your time in this or in sharing with others who might be able to take part — the results (which are anonymous) will soon feed into public presentations of photobook readership for anyone who is interested to get an insight into the lives of books and readers.
Any issues with language/translations, please do not hesitate to get in touch (email@example.com)
Founder, The Photobook Club