Rikard Osterlund and Tracey Affleck have just launched the Photobook Club Rocherster with an opening night on October 15th at INTRA. The event is free but sign up required here. More information from Rikard below…
Come along to an informal evening all about photo books. This is the first of what we are hoping will become a monthly get-together where you might be inspired by something you haven’t seen before.
To kick things off we will talk about ‘The Americans’, Robert Frank’s groundbreaking book from 1958. You are welcome to BYOP (Bring Your Own Photobook – bought or made) for everyone to look at and chat about. Anyone with an interest in the photobook format is welcome.
Date: Thursday 15th October
Time: 20.00-22.00 (turn up a bit earlier)
Location: INTRA, 337 – 341 High Street, Rochester, Kent ME1 1DA
Hashtag away on social media #PhotoBC #RochesterPBC
We have been wanting to do this for a long time and can’t wait to get a group of likeminded people together.
Rikard Österlund is a freelance photographer with an irrational love for photobooks, with many years experience as a photography lecturer at UCA and London College of Fashion.
Tracy Affleck is a photographer/artist and educational facilitator who works primarily with found photographs.
…and I will be running an event in Coventry which is open to as many as can fit in the room (email firstname.lastname@example.org ). There will be other events popping up all over the shop but right now there is something you can do.
“I saw this and thought of you” – Share your books
It is easy to excite fellow photobook nerds with the contents of my bookshelf. Much harder to interest my colleagues, family and friends who have little interest in the medium itself – though I try, often. Many times my waxing lyrical about design and production falls on deaf ears – not that this suggests a need for further discussion and education – a more powerful force is at work here. The books that resonate are those that the reader likes – straight up – likes. It might be the project, it might be the book, it might be the photographs or the cover – who cares.
When I manage to excite someone with a photobook, someone for whom the photobook is not the perfect medium of artistic expression, I have achieved something. Not only in extending the reach of the photobook, bringing work to a new audience, but also in overcoming my own photobook snobbery. I still get something from this encounter too – the book in question might have fallen out favour and found itself relegated to the edges of the shelf, but hearing someone speaking about it passionately, and unfettered by judgement helps remind me why I bought it in the first place.
So, this photobook day, spread the love by sharing something you think someone will like, not something you think they should like. Oh, and if you get a chance, let us know the book you chose and what the reaction was #PhotobookDay.
Really excited to be running a workshop with Daniel Donnelly in Casablanca this September (4th – 6th) for locals, both professional, amateur and interested. The 3 day workshop will focus on connecting with an audience through edit and design but will also feature a binding tutorial.
Great to hear about this experimental workshop and reading session in Barreiro that looks to explore links between photography and dance. Thanks to Sofia Matos for the report and images…
24st may | Auditório Municipal Augusto Cabrita
Studies for the Impossible Body
Magda Fernandes (Imagérie – Casa de Imagens)
Studies for the Impossible Body is a series of little artist books that document the making of the Impossible Body project, developed in a photography workshop, in partnership with the photographer Susana Paiva and the Olga Roriz Dance Company, in Lisbon.
In pursuit of an elusive territory, that could be inhabited by photography and dance simultaneously, there were many dead ends and bifurcations along the way. These books are diaries of experimentation and exercise books at the same time, and they speak, through images and words, of discovery, as well as of the infinity and the poetry that emanate from the dancing body.
Whopppaateee! Lot’s of people came to visit the kickoff meeting of the Reykjavík Photobook Club. We briefly introduced the phenomenon ‘photobook’ and ‘photobook club’ and than we enjoyed a bunch of nice books that people brought along. Unnamed Roads from Jungjin Lee, Disko by Andrew Miksys and Rob Hornstra’s Sochi Project were a few books among many. Already eager for our next meeting on May 20th.
Really fantastic to see a Comic Book Club launch in Coventry recently. The club, which has already met several times was founded and is run by Nadhirah Nadzri and Charlie Smith-McMahon. Really excited to run a joint club with Nadhirah and Charlie which will investigate the narrative structures of photobooks and comic books and graphic novels together.
The Natural Collection call only went up around 2 weeks ago but already the books that have arrived are in demand and will be travelling with me to a book club event at the University of Hertfordshire. Students there are currently undertaking a book module and a project centred around nature so it seems a perfect fit! All the books that have arrived before I leave on Tuesday 18th will come along for the ride and I will make sure I get some pictures to be posted here soon…
In the meantime, consider checking out the website in it’s infancy…
The folks at Scopio have initiated a photobook contest with a theme that both sets a guide and gives freedom for exploration and perhaps destruction. You can find all the relevant details by clicking on the image below.
In other news there is a great workshop in Riga as part of Riga Photomonth – it is an artist’s book workshop and is run over 5 days, led by photobook designer Nico Baumgarten. A similar workshop was run last year, you can check out some of the results here. You can find all the details by hiting the image or see the direct message from the ISSP below it…
SSP and Riga Photomonth 2014 invite applications to ARTIST’S BOOK WORKSHOP with photographer and bookmaker Nico Baumgarten (DE)! The workshop will take place on 3-7 May 2014 as part of Riga Photomonth programme.
This time, we invite photographers as well as illustrators, graphic artists and other creatives with projects ready for presentation in form of a book to apply!
The dummies produced during the workshop shall be featured as part of SELF PUBLISH RIGA exhibition in May 2013.
Nico has lead a bookmaking workshop in Riga last spring and proved to be an amazing teacher. The results can be seen here: http://www.isspskola.lv/.
The workshop will host 12 participants, selected based on applications. Application deadline: 1 April.
The workshop is supported by Riga 2014, State Culture Capital foundation, Goethe Institut in Riga, AS Antalis and Hewlett-Packard. Information support: FK Magazine, FOLD, kim? Contemporary Arts Centre, Latvian Centre for Contemporary Art.
NB! We’d like to remind that your existing dummies and self-published trial editions (up to 50 copies) can be submitted to SELF PUBLISH RIGA contest and exhibition till 20 April! Info – www.selfpublishriga.com.
Should you have any questions, please write to email@example.com or firstname.lastname@example.org.
There are some fantastic photobook collections the world over – collections that focus on indie or handmade books, collections that are driven by rarity and monetary value, collections based on location and many based on specific events or happenings. The Photobook Club has never been and never had a collection, occasionally kind folks have sent books through to me and I have sought wherever possible to take them with me to Photobook Club events and talks but no more.
Now, I find more and more I have been asked to bring collections of books to events, Universities and so on – I respond by bringing my own collection but it is a young and sparse collection lacking curation and coherence. At the same time I have been thinking a great deal recently about a thematic collection, a collection that, while not seeking to be exhaustive, does seek to provide both broad and deep reading. A collection that can be visited in my home, a collection that will be viewable online and a collection that can travel in whole, or in parts, to different locations.
I figured such a theme would need to be narrow enough that it could near a completion of sorts but in reality this will never happen. I have chosen instead to openly begin a collection with a broad headline, which can then be shaped both by works submitted and interest in it’s contents. The theme chosen I believe speaks not only about photography and it’s history but also relates to the indie photobook movement, the interest in the generative artefact and a quest for a less hectic way of life.
The Natural Collection – Photobooks, zines and papers that explore our relationship with nature and the natural landscape.
As mentioned above, this is broad, but will be shaped in time. As a set of books to offer a well known guide, I would consider the likes of John Gossage’s ‘The Pond‘, Lucas Foglia’s ‘A Natural Order‘, Ricardo Cases ‘Palomo al Aire‘, Ron Jude’s ‘Lick Creek line‘ and Oscar Tuazon’s ‘Leave me be‘.
I would be grateful to anyone, established or otherwise (incl publishers) who would be willing to send works through to the collection, these works will be featured on the Photobook Club website, will be taken to various book club events and will be open to anyone willing to pop by for a cupa! The condition of the works is not of paramount importance so any misprints at publishing would be welcomed with open arms!
The Natural Collection
The Photobook Club
10 Granby Avenue