When I introduced the ‘Dr Strangepub’ project a few weeks back which features a series of conversations about the future of photographic publishing, I mentioned I would highlight those conversations over the coming weeks. This time it is the turn of Andreas Schmidt, who has been described as someone who ‘takes the concept of the book and shakes it like a rag doll…until its head comes off.’
Here, Schmidt talks about the rise of print on demand technology and what it has enabled a generation of artists to do as well as the role of the performance in photobook publishing.
Dr Strangepub or: How I learned to stop worrying and love the possibilities of 21st century publishing
Recently I sat down to chat with 4 individuals, all with their own different take on 21st century photographic publishing, it’s possibilities and perhaps a pitfall or two as well. These conversations were recorded and are now available to list/watch via the wee website linked here.
These chats are not an attempt to classify modern photographic publishing or even to generate answers but instead to pose questions on the current state and value of photographic publishing from the live experience and handmade book to multi-platform outputs and print on demand technology.
As well as being able to see all the conversations now, I will post them one by one over the next month and we start with Bas Vroege below . I have also included below a better worded version of the above should you wish to share it (and please do!)
Bas Vroege is the Director of Paradox pictures based in the Netherlands. Paradox is a not-for-profit organization exploring contemporary issues through documentary photography.
Here Bas talks about the multifaceted approach that Paradox employs for the work it publishes and how new possibilities in publishing have helped to create more dynamic storytelling.
To recap 🙂
‘Dr Strangepub’ is an online publication of converstaions between Matt Johnston and a selection of 21st century photography publishers, each with their own thoughts on what publishing can offer us today and whether or not we are currently exploiting it.
These conversations are not just based on the future of digital plublishing but also the roll of the physical object in the digital age and how the breakdown of traditional gatekeeprs has liberated our options as content producers. This project is a collaboration between Matt Johnston, The Photobook Club and Coventry University School of Art and Design.