Kunstler, Venturi and Stephen Shore

The subjects of Shore’s images in ‘Uncommon Places’ could well illustrate architect Robert Venturi’s seminal ‘Learning From Las Vegas‘ as they represent Venturi’s comments on the highway-dictated landscape to a tee.


Below I have pulled a few quotes from ‘Learning from Las Vegas‘ as well as James Howard Kunstler’s ‘The Geography of Nowhere‘ (more concerned with urban sprawl than PoMo architecture). I think these quotes really highlight the importance of Shore’s work in elevating and evaluating the everyday and ordinary in America.

(Of interest – Venturi wrote a few words on Uncommon Places which are featured on the back cover)

- Matt

IMAGE STEPHEN SHORE

“Acting as symbols, the signs and building identify the space by their location and direction, and space is further defined and directed by utility poles and street parking patterns.”
– Robert Venturi/Denise Scott Brown/Steven Izenour

“Ever-busy, ever-building, ever-in-motion, ever-throwing-out the old for the new, we have hardly paused to think about what we are so busy building, and what we have thrown away.”
– James Howard Kunstler

IMAGE STEPHEN SHORE

 “On the commercial strip the supermarket windows contain no merchandise. There may be signs announcing the day’s bargains, but they are to be read by pedestrians approaching from the parking lot.”
– Robert Venturi/Denise Scott Brown/Steven Izenour

IMAGE STEPHEN SHORE

“Americans are doing almost nothing to prepare for the end of the romantic dream that was the automobile age.”
– James Howard Kunstler

“The freedom to get up and move is a premise of the national experience. It is the physical expression of the freedom to move upward socially, absent in other societies. The automobile allowed this expression to be carried to absurd extremes.”
– James Howard Kunstler

IMAGE STEPHEN SHORE

“Service stations, motels and other simpler types of buildings conform in general to this system of inflection toward the highway through the position and form of their elements. Regardless of the front, the back of the building is styleless, because the whole is turned towards the front and no one sees the back.”
– Robert Venturi/Denise Scott Brown/Steven Izenour

 

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