After looking at Phil Coomes’ ‘Recession Road’, I would like to share another project which retraces (to an extent) the footsteps of Paul Graham.
My thanks to Sebastian Arthur Hau for pointing me in the direction of this project by Benoit Grimbert and my thanks also Benoit who has contributed some text on the project and of Graham’s influence.
To see the complete series by Grimbert, head over here. And if you would like to compare the two, I have included the video showing Graham’s work below.
The first Paul Graham photographs I saw were images taken from his ‘Troubled Land‘ series. I was about twenty, and I remember the impression of contemporaneity and novelty (in comparison with other photographers working at that time in the field of landscape photography) that these subtle colored images produced on me. I also remember that they vaguely seem to me as specifically European, even if they may also be considered as a kind of response to the most recent American landscape photography (I think in particular of Stephen Shore and William Eggleston). This fact never stopped his images stimulating me, and I still look at his series (‘A Shimmer of Possibility‘ included) as works which synthesized both the american and european
Much later, I was deeply impressed by another work, as a book : ‘A1, The Great North Road‘. Having the book in my hands, the entire series – the photograph on the cover in particular – operated as a sort of appeal. Appeal of an unpredictable road trip to the North, which was absolutely not defined, and then the appeal of taking photographs – the strength of the images and of the imagination. The fact that I did not really know the road contributed to make it worthy of interest. If Paul Graham photographed this road partly on the basis of his childhood memories, I will do it under the impression of a pure representation, it would be a photographic one. Therefore, the point was not for me to follow in his footsteps, in the search of the possible traces of what was depicted in the book. This series just worked as the driving force behind me, and the framework became quite conceptual – from a material point of view : a road, The Great North Road, with a beginning and an end, clearly identifiable ; from a representative point of view : a series of 40 photographs, placed according to the geographical order of the road – the content and the form of the photographs following my own photographic approach.
I had my first trip by car along the A1 in October 2008. There was a second trip in
December 2008, and a third in March 2009. Without any particular intention, I drove this road, leaving it each time I was attracted by something I had saw on its sides. Sometimes, the photograph was made quite quickly, but most of the time, it took me several hours to find the appropriate place to make it. At any time, the photograph, although very composed, was literally “unexpected”.
– Benoît Grimbert