Tag Archives: stan banos

Paul Graham’s ‘Free Pass’?

Shortly after I posted the first ‘Food for thought’ which gave an introduction to Paul Graham’s work, Stan Banos of Reciprocity Failure commented on the amount (or rather lack of) criticism his more recent projects have been subjected to. This … Continue reading

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Stephen Shore at SFMOMA…

I hope some ‘Club readers were able to get tickets to Shore’s talk at SFMOMA last week, for those that did not, luckily Stan Banos was in attendance and has written about the talk and Shore’s style over here. Also … Continue reading

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Stan Banos: Uncommon Places and New Wave Colour

Those who have followed the Photo Book Club from it’s early days will remember Stan Banos’ valuable contribution to our discussion of Eugene Richard’s ‘Cacaine True, Cocaine Blue’. Now, I thank Stan again for his comment on the effect Shore’s … Continue reading

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Stan Banos on ‘Invisible City’, a personal reflection

Thanks to Stan Banos for contributing this personal reflection on Ken Schles’ ‘Invisible City’. Stan’s ‘Reciprocity Failure’ is a must read and can be found over here. Like Cafe Lehmitz, I’m glad someone not only made the effort- but actually … Continue reading

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Technical proficiency in Cafe Lehmitz – Stan Banos

Thanks to Stans Banos of ‘Reciprocity Failure‘ who commented this week on the technical proficiency Petersen demonstrates with the 35mm images in Cafe Lehmitz. Banos pointed to several other artists who have captured moments under available light in a similar … Continue reading

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Cocaine True, Cocaine Blue: A Summary

Thanks to all who have contributed to the discussion on Eugen Richards’ ‘Cocaine True, Cocaine Blue’. We have compiled an archive of the posts below for future reference and will also be listed under the reading list page. Jags Parbha … Continue reading

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Stan Banos on ‘Cocaine True, Cocaine Blue’

Stan Banos of the fantastic Reciprocity Failure blog submitted the following piece on Richard’s ‘Cocaine True, Cocaine Blue’. When published in 1994, Cocaine True, Cocaine Blue was perhaps the last great photographic shock documentary, and brought with it considerable controversy … Continue reading

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