Very proud to see the Photobook Club’s digital publication ‘Ken Schles, Invisible City; A Digital Resource’ make it onto Martin Brinks ‘Top Digital Photobooks‘ list last week and now very happy to read a great little review of the publication in Taco Hidde Bakker’s ‘Photobook Listmania‘.
Alongside comment on lists and photobook consumption which is worth a read in itself, Taco dubs our publication as ‘the most surprising 2012 photobook publication’. You can read the section below but please do head over to the post to hear Taco’s other thoughts.
The most surprising 2012 photobook publication to me has been The Photobook Club‘s free-of-charge e-book: Ken Schles – Invisible City: A Digital Resource. A page-by-page digital representation of the beautifully printed original 1988 book (which is rare and expensive nowadays) embedded within notes around the production of the book, and recent discussions. An excellent example of how valuable older, sometimes overlooked and understudied, photobooks can be lifted out of the shadows and be studied in a public realm beyond the traditional library.
This really should not have taken as long as it has, and for that my apologies. I often stress that accessibility is of paramount importance to me and The Photobook Club so was well aware that in publishing the Invisible City iBook I was both improving access to content for some but excluding a large audience also.
This publication takes on a magazine-style format, inside of which you will find not only the images and text featured in Invisible City, but a variety of personal reflections, commentary on the process of creating Invisible City from Ken Schles and even original notes from a lecture given at New York’s International Center of Photography in 1990.
If you have an iPad, you can download the publication free from the link given below via the iBook store.
The complete forward featured in the publication alongside screenshots is featured below this introductory video.
Forward I set up the Photobook Club in 2010 as a response to both my own fascination and frustration with photobooks. My fascination was born and nurtured as a student spending thousands of hours in the University library choosing books at random by the colour of their spine, or based on recommendations from my peers and tutors. My frustration was a little harder to pinpoint but essentially stemmed from my wanting to learn more about the classic photobooks, those revered and often rare books that held a sense of mystery between their two covers; everyone agreed they were classics but there was little discussion of why.
At the time there was, and still is, a huge interest in photobooks, but predominantly in the new, the self published and the handmade, and so together with partner-in-crime Wayne Ford, I decided to open out my thoughts and learning to a wider community – just as a traditional book club. As well as promoting and facilitating this shared experience online, I was keen to encourage the generative experience the photobook offers us both in spending time with a beautifully crafted artifact, and in sharing thoughts (as well as books) in person.
I certainly hope that (depending on your knowledge of Invisible City), this publication will either introduce you to, or help create a greater understanding of a hugely influential modern photobook. Inside you will find not only the images and text featured in Invisible City, but a variety of personal reflections, commentary on the process of creating Invisible City from Ken Schles and even original notes from a lecture given at New York’s International Center of Photography in 1990.
Regardless of your previous experience with this book, or whether you are a lecturer, photographer, student, book lover or just curious, I would really appreciate your comments via the email address below.
Finally, thanks must of course go primarily to Ken Schles, not only for allowing all to see his wonderful images but also for kindly lending me a copy of the book to work with, and for his enthusiasm towards this project. My thanks also to the contributors listed on the following page who offered their own, personal reflections on the book.