Really looking forward to some time in Barcelona next week. I will be heading over to launch Code-X; Paper, Pixel, Screen and Ink with the bookRoom (UCA Farnham) at Arts Libris. The book brings together some great voices who are playing with, responding to, and generally trying to make sense of the sometimes chaotic changes the codex is going through. The chapter I contributed is titled ‘The Photobook Club; a pragmatic response to hierarchical conversations and the photobook as capital‘ and is available in the book (of course) and soon online.
Over 2 million folks reached via the #WorldPhotobookDay tag on Twitter and Instagram is pretty awesome, but this report from Gabriela Cendoya (who has a great blog, here), a collector from Spain is so fantastic to hear about. One of the goals for this year’s event was to engage with non-photobook lovers and here Gabriela has certainly done that…
Images from Gabriela’s library
This year’s photo book day has been special. For the second time, it was an open house day, for all the people to come and enjoy the books.
Two friends came in the morning, wanting to see some books, planning to publish a book themselves, and looking for ideas and cool tips. It was nice seeing them and talking about their project, as they seemed to enjoy lots of books. One of them is a teacher, and we agreed that she would come back with some of her students to see some books and discuss about them. I think it is a great idea, and I really can’t wait to see it happen.
What happened in the afternoon was even greater for me. I live in a rather small town, a fishermen town. That doesn’t mean there is not much cultural life around, there is a nice public library and some interesting art galleries. But not much on photobooks, despite the fact that we are near Donostia, where we have a Photobook Club, and a very nice photo book shop…
Well, I invited some neighbors to come and see my house and books, explaining it was a day to celebrate. None of them knew exactly what was what we usually call a photobook. Some brought nice books with old pictures of Donostia, and other beautiful places, wondering if that was all right…And of course, it was! But then I showed them some of Julión Barón books, and well, that was something else! Rinko Kawauchi was somehow easier to love, and Stephen Shore’s Uncommon Places a very good start for a very nice and rich conversation. Nami, by Syoin Kajii, was a beautiful way to feel in communion with each others.
In the end, it was a wonderful day, for me at last, and I hope, for all the people who came. Photobooks are a world within themselves, a world to share with everybody. Thanks, and see you next year!
Rikard Osterlund and Tracey Affleck have just launched the Photobook Club Rocherster with an opening night on October 15th at INTRA. The event is free but sign up required here. More information from Rikard below…
Come along to an informal evening all about photo books. This is the first of what we are hoping will become a monthly get-together where you might be inspired by something you haven’t seen before.
To kick things off we will talk about ‘The Americans’, Robert Frank’s groundbreaking book from 1958. You are welcome to BYOP (Bring Your Own Photobook – bought or made) for everyone to look at and chat about. Anyone with an interest in the photobook format is welcome.
Date: Thursday 15th October
Time: 20.00-22.00 (turn up a bit earlier)
Location: INTRA, 337 – 341 High Street, Rochester, Kent ME1 1DA
Hashtag away on social media #PhotoBC #RochesterPBC
We have been wanting to do this for a long time and can’t wait to get a group of likeminded people together.
Rikard Österlund is a freelance photographer with an irrational love for photobooks, with many years experience as a photography lecturer at UCA and London College of Fashion.
Tracy Affleck is a photographer/artist and educational facilitator who works primarily with found photographs.
I spent the first weekend of the month running a Photobook workshop in Casablanca, Morocco funded by Coventry University’s DMLL and with a great group of students. Some of these participants were photographers, some had studied at art schools, some were passionate amateurs but all were super engaged and I learned a lot…
Images by Daniel Donnelly
The desire to make is great
– while there is some critique of a maker culture which undervalues curation and debate in favour of production, it was clear that the transition from screen to paper and images into book brought about genuine excitement.
Sometimes sharing is separating
– Daniel Donnelly (with whom I ran the workshop) and I were keen to involve an online and social element to the project – to tweet particular moments, Facebook particular questions etc – a way to engage with communities beyond the room. It was apparent though that this took away from the intense experience of the session, removed participants and their attention – it was instead used as refference and record for the ‘real life’ experience. We didn’t push it, and I now notice how these spaces have become a great repository – extending the project longitudinally.
Competition isn’t healthy
– competition pushes us, it is a useful element of the learning process – I call bullshit – it was so refreshing to see people truly pleased for one another and their works. I want to find out how to inject some of this into an education system that constantly seeks to place people in competition – either by age, institution, or through high fees and low employment options.
These were exciting books
– it is hard to say without appearing patronising, getting giddy over the exotic or promoting the location-based photobook mining we have seen over the last ten years BUT these were exciting books. Techniques and structures were used without knowledge of their reference to previous works – they were used as they were appropriate. Images were treated as possibilities in the book and the book was treated as a possibility for the images.
These folks would love some books
– it isn’t easy to come by photobooks in Casablanca, in fact it is almost impossible, yet their is a community hungry to see new works and old. I have been sending books to Morocco for some time, and will continue to do so, but maybe think about the next time you send out X% of your edition to reviewers and collectors – send some to a library, community or school – it will likely be far more useful.
Really excited to be running a workshop with Daniel Donnelly in Casablanca this September (4th – 6th) for locals, both professional, amateur and interested. The 3 day workshop will focus on connecting with an audience through edit and design but will also feature a binding tutorial.
After a week in which I have attempted some sort of stocktake of the numerous Photobook Clubs around the world, it is great to hear the Photobook Club Montevideo has set its first date – 22nd May. See the note from organiser Federico Estol below and head to the facebook page here.
And for those interested – there are now 49 active clubs who have held over 340 meetings so far!
The first event of Photobook Club Montevideo is the 22 of may in the Contraluz Art Hostel Montevideo. Will be presentation of local publications and co working to plan new photobooks. Also will be the talk of professional of the editorial process.
Whopppaateee! Lot’s of people came to visit the kickoff meeting of the Reykjavík Photobook Club. We briefly introduced the phenomenon ‘photobook’ and ‘photobook club’ and than we enjoyed a bunch of nice books that people brought along. Unnamed Roads from Jungjin Lee, Disko by Andrew Miksys and Rob Hornstra’s Sochi Project were a few books among many. Already eager for our next meeting on May 20th.